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In ancient times Berber people inhabited deserts and mountains of North Africa west of Egypt, which was part of the Roman Empire. Some Berber clothing, such as the haik, or cloth drape, is related to the Roman toga. After the Arab conquest of  North Africa in the 7th century AD, most Berbers converted to Islam.
Since the Arab conquest, Islamic codes about physical modesty have heavily influenced the clothing of  North Africa. Many men in North Africa still wear a full-length tunic, with elbow-length or long sleeves, called a djellaba or a kaftan. The djellaba is made of cotton or wool, and in modern cities it is often worn over a European suit or trousers. A similar type of loose-fitting overgarment is a cloak called a burnoose, which often has a hood. With the djellaba, men traditionally wear turbans, headdresses that consist of a long scarf of linen, cotton, or silk wound around the head.
North African women have traditionally worn veils and scarves to cover their heads, and long robes. Beneath their robes and veils, they wear a long blouse or a second robe with either traditional loose trousers, called chalwar, or a skirt. Alternatively, they may wear modest versions of Western dress. Both Berber and Arab women usually wear a great deal of jewelry, some of which forms part of their dowry (property brought to marriage) and indicates wealth and status.
Nomadic peoples of North Africa, including the Tuareg and the Fulani, have their own special costumes. Among the Tuareg, men, rather than women, wear a headdress and a veil. Fulani women characteristically wear bright robes of cotton, elaborate hairdos, and large gold earrings.
In northeastern Africa clothing typically consists of tunics and wrapped skirts. The Amhara people of Ethiopia practice a very ancient form of Christianity, and their clothing resembles that worn in the Roman Empire during the early Christian period: long tunics, togalike wraps, and, for men, white turbans . In Somalia, Islam has influenced clothing, and many women wear veils after marriage. Both men and women wear elaborate beaded jewelry.
Many nomadic herders live in East Africa. The Masai people live mostly in Kenya and Tanzania, and the Dinka people live in the Republic of the Sudan. Traditionally, the Masai, like other Nilotic peoples, have worn minimal dress, such as a simple cloth wrapped around the waist and legs, and elaborate body paint. They also wear beaded ornamentation in the form of necklaces or collars. Traditional dress depends on age and marital status. Young warriors, for example, wear beaded necklaces and earplugs (thick, cylindrical ornaments worn on the earlobe), with special hairstyles and headdresses. Warriors also wear short skirts of fur or hide, while women wear cloth skirts. Unmarried women go bare-chested and wear a beaded belt with their skirt. Married women traditionally wear cotton cloth body wraps, which come in a variety of colors, with red a favorite.
During the European colonization of East Africa beginning in the 1800s, Europeans were shocked by the near-nakedness of the native nomadic peoples. Traditional African body decoration such as body paint and scarification (patterns of decorative scars) also distressed Europeans. Modern African governments have exerted pressure on nomadic groups to wear modern clothing sufficient to cover the genitals and women's breasts. Dinka men, for example, traditionally wear only a beaded waist corset, the color of which conveys their age. By the 1980s, however, they were legally required to wear additional clothing when they entered a town.
Dress has also been a political issue in Central Africa, where traditional clothing and adornment is seldom seen today. After Rwanda and Burundi gained independence in the early 1960s, their governments required the people to wear modern clothing. During the 1960s and occasionally thereafter, the government of the Democratic Republic of the Congo discouraged both traditional dress and certain Western styles, such as the miniskirt, that it viewed as immodest. As a symbol of personal freedom, some young people in cities wear modern, European-style fashions as seen in fashion magazines such as Vogue.
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Clothing in West Africa shows the influence of Islamic styles imported from North Africa, especially in the extent to which it covers the body. Women usually wear a long wrapped skirt, a loose blouse, lady clothing and a head wrap. Many of the skirts are made of printed cloth, the patterns of which change from year to year. Men in some areas wear a long robe, called a gandoura, over loose trousers. In other areas they wear Western-style pants and shirts. On ceremonial occasions, tribal leaders and other important men in Ghana wear a garment wrapped like a toga.
In West Africa clothing for people of the highest status is made of kente cloth. Tribal kings traditionally wore this silk material, which is notable for its elaborately woven decorative patterns.. Kente cloth (and its imitations) has become an important symbol of African pride among descendants of enslaved Africans in the Americas. Whereas weaving has been considered women's work in most of the world, in West Africa, men weave certain kinds of prestigious textiles. Other well-known textiles of West Africa include mud-cloth of Mali and cotton textiles of Nigeria. Mud-cloth has patterns of gray-brown on an off-white background, which are produced by a special dying process. Nigerian cottons are elaborately decorated with blue dye from the indigo plant.
In southern Africa both minimal and modest styles of dress exist. Among the Himba, a nomadic herding people living in Namibia, men and women wear little more than red body paint and short skirts. These skirts were once made of hide but are now made of cloth as well. The Himba have elaborately braided hairstyles. For protection from the elements and as decoration, they cover their bodies, including their hair, with a mixture of animal grease and red ochre powder. Among the Herero, also of Namibia, women wear full-sleeved and full-skirted long cotton dresses, a style introduced by German missionaries in the 19th century. Among the Xhosa of South Africa, unmarried girls wear short skirts and go bare-chested; married Xhosa women wear longer skirts, cover their breasts, and wear elaborate head wraps. The Zulu people of South Africa, who dress similarly to the Xhosa, also create elaborate beadwork for belts, pouches, jewelry, and other accessories. Zulu chiefs wear leopard skins on ceremonial occasions. Zulu women often wear tall, stiff woven hats.
CAsia Asia can be roughly divided into Chinese and Indian spheres of influence. Chinese clothing styles have influenced the clothing of neighboring countries, including Japan and Korea; Indian clothing styles have influenced the clothing of Southeast Asia, including Indonesia and Thailand.
China is the most populous country in the world, home to members of 56 different ethnic groups distinguished primarily by language and religion. As a result of its size and diverse population, China has seen many clothing styles.
Many Westerners think that Chinese clothing has remained unchanged for 5,000 years. In fact, styles have changed greatly over the centuries. Although the basic garment has remained a long, wide-sleeved robe that is tied with a sash and worn over a skirt or trousers, experts can distinguish easily between the clothing of different periods. Around 200 BC, a popular women's fashion in southern China was a robe of patterned silk, which was wrapped in a spiral around the body. Soldiers of the same period wore armor, made of small metal plates, over tunics and trousers. From the late 6th century through the 7th century AD, for example, Chinese women wore high-waisted skirts and short jackets. This style formed the model for Korean women's dress in modern times. In the 8th century, women in royal Chinese courts often wore flamboyant clothing, with long, flowing sleeves and winglike decorative panels that hung from the sleeves. Until the 9th century, when foot binding was introduced to prevent the feet of girls from growing, both men and women in China wore the same kind of high shoes.
When the Manchus from the north conquered China in 1644, they modified Chinese men's official dress to make it look more like their own. Manchu women wore long robes and platform shoes, while Chinese women had bound feet and wore shorter robes (more like jackets) over skirts or trousers.
Clothing in China was regulated by social status, gender, age, and occasion, beginning at least as early as 500 BC and continuing until the early 20th century. A man's status was apparent in the type of hat that he wore, as well as by badges of rank that indicated his exact place in the social hierarchy. Members of the upper class tended to wear long robes. Both male and female peasants wore jackets and trousers. Members of the imperial court and court officials could wear the dragon robe, a long gown embroidered with dragons, legendary creatures that were an emblem of heaven and the emperor. Dragon robes appeared as early as 1000.
The regulations regarding apparel appeared to break down at times. In the 14th century, Chinese conservatives complained that fashions were changing too rapidly and that the lower classes were usurping the styles of their superiors. Although a pattern of regular style change comparable to that of modern fashion had not emerged, it appears that fashion-oriented behavior has existed in a number of non-Western regions in various historical periods.
From the 8th to the 12th century in Japan, for example, it was a term of praise to call something imamekashi (up-to-date). Although the kimono-a T-shaped garment with wide sleeves that was tied with a sash-remained essentially unchanged as the basic article of clothing for Japanese women for centuries, colors and patterns changed according to the current fashion, as did the way of wearing kimonos. Social conventions also influenced kimono styles. A kimono with a brightly colored flower pattern and long dangling sleeves was, and is still, regarded as suitable only for a young, unmarried woman.

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